The Intima: A Journal of Narrative Medicine
  • Spring 2013
    • Letter from the Editors
    • Poetry>
      • My Grandpa
      • Zodiac
      • Bypass
      • The Man from Sierra Leone
      • Overwhelmed
      • Survivors
      • Metastatic
      • The Waiting
      • Maroon
      • In and Out
      • In the Womb
      • Room 915
      • Cut it Out
    • Fiction>
      • Burr's Sore
      • Shelter
      • Blindfolded and Immutable
    • Studio Art>
      • Root Canal
      • Elmer
      • Canyon
      • Dream of Lost Opportunity
    • Academic>
      • Revisiting Written Submissions as Part of the Medical School Application: Paying Attention to Narrative Competence in Admissions Policies
      • Health Narratives and Healing
      • Meanings in Motion
      • Truth Disclosure in Medical Settings
      • Dithering
      • Referral, No Referral
      • Narratives of Medical Miniatures
    • Non-Fiction>
      • Ganpati's Garden
      • The Note
      • Anonymous
      • 32 New Words
      • See No Evil
      • Communion
      • Of Birds and Mice
      • Swan Dive
      • Cura Personalis: Notes from a Medical Scribe
      • Witnessing Myself
    • Field Notes>
      • Picturing Diagnosis
      • The Lady in Pink
      • How Quickly Do We Forget
      • The Quietest Thing
      • Over the Summer
      • Nails
    • Spring '13 Contributors
  • The Intima Channel
    • Since November
    • Terry Tracy Interview
    • Now We Take This Feeble Body
    • Captain O'Kane
    • Translate
    • Suggest an Artist!
  • Crossroads
  • About Us
    • Mission & Vision
    • The Editors
    • Contributor Index
    • Advisory Board
  • Submissions
    • Guidelines
    • Submit to The Intima
  • Archives
    • Fall 2011>
      • Poetry>
        • Apachetas
        • Emergency Room Curtains
        • Mi Jardin / My Garden
        • Nursing the Same Wound
        • Want, Change
        • When He Found Out...
      • Fiction>
        • RED HANDED
        • In Their Hearts
        • Nightwatch
      • Non-Fiction>
        • On Call
        • Cigarette
      • Academic>
        • Bodily Prisons
        • Media Analysis: "My Brother Has Autism"
        • Medicine and Cultural Competency
      • Field Notes: Reflecting on the experience & process of Narrative Medicine >
        • Approaching New Horizons
        • My Year in Narrative Medicine
        • VOICES
      • Studio Art>
        • Nikita at the Gates
    • Spring 2012>
      • The Appearance of Choice
      • Board Games
      • Concierge Medicine
      • Sciatica Sucks
      • Unplanned Cesarean Sections
      • A Great Place for a Seizure
    • Fall 2012>
      • Letter from the Editors
      • Poetry>
        • I Don't Feel the Same Anymore
        • Meningioma
        • Physician Bears Witness
        • Cartographer
        • The Gurney
        • Lament of Cancer
        • Diary of Psychiatric Meds
      • Fiction>
        • A Bird in the Hand
        • The Lethal Joke
        • Make Me Whole
      • Non-Fiction>
        • The Lilac House
        • Stark like Alex Katz
        • Poetic Therapy
        • Dextrocardia
        • Little Nowhere of Mind
        • Following You, Together in Cancer
        • Loca
        • Graduations
        • Tangible Evidence
        • Journey through the Forest
        • Ms. Johnson
        • Emergency Care
        • Miss July
        • On Call
      • Field Notes>
        • Discovering a patient
        • A Spanish Lesson
        • The Things I Learned about Myself on my Surgery Clerkship
        • Too Close to Home
        • What Happens Next?
      • Academic>
        • Narrative Art and the Doctor Patient Relationship
        • Esther-Other
        • Psychedelics in Psychotherapy
        • Aberrant Decoding
        • Professionalism of Medical Students
        • Alice Walker's Meridian
      • Studio Art>
        • Tangible Evidence
        • PRN Tinged
  • Contact

Non Fiction | Cigarette by Mary Murray



From the living room at the end of a long hall, the sing-along volunteer pounds out 
strains of “Amazing Grace.”  Ladies, two to a room, each wait their turn on the clockwise 
routine of other women, nurse’s aides – sheets, clothing, hot meal …Next!
Edith Gentry, 94, sleeps with eyes half-open and mouth wide.  Her soft white hair is 
brushed back straight and a pillow props up her head. Her thin bluish lips tremble as she 
snores, and her nostrils twitch.
  Edith awakes suddenly in the dark as two shadowy figures move around her bed.  They 
come closer.  They feel the sheets all around her body.  They roll her up and over onto 
her side.
“Ohhh!” Edith groans.
One aide whispers to the other as they roll Mrs. Gentry, groaning, onto her other side, “It 
hurts me just to touch her.” Edith rolls back in a fresh nightgown onto clean linen.  A foul 
odor wafts past as one aide carries out Edith’s soiled sheets.  
A queasy feeling stirs within Edith’s stomach and throat.  “I’m so ashamed,” she says, 
looking away and then back at the aide who remains, still busy.  Here, emptying the 
bathwater. There, clearing the uneaten meal. “Such a nice-looking young man,” Edith 
says aloud, following the aide’s movement with her eyes. “Isn’t there someone else to do 
this?” She feels dirty and helpless and hates to cause an inconvenience.
The aide laughs warmly. “Oh, thank you, Mrs. Gentry, but I’m a woman!”  
“Nooo,” says Edith, astounded.  She brings her long bony fingers up to her forehead and 
squints, ticking off the characteristics of the figure in motion around her.  Big.  Short hair.  
After this close examination, the aide doesn’t look any more feminine to her. Still, Edith 
does not want to offend. “Lovely,” she offers.  
The aide, chuckling, leans over Mrs. Gentry, tucks in her arms and pulls the blankets up 
under her chin.  The aide smells good, like men’s cologne.  She smoothes Edith’s hair, 
says, “You sleep now, sweetie,” and leaves, her rubber-soled shoes squeaking on the 
sticky floor. She meets the other aide at the door and the two look back at Mrs. Gentry.
“She’s dying by degrees,” the first sighs mournfully, shaking her head.
“It won’t be long now,” says the second. “Her feet are turning blue already.” The aides
gaze a moment longer into the dark room, then turn away, shoes squeaking purposefully 
down the corridor.
Edith hears the hushed whispers at the door.  She hears the aide say, “she’s dying by 
degrees,” but convinces herself she has misunderstood.  They must have been talking 
about the laundry, Edith concludes.  The first had said, “Sheets are drying in the trees,” to 
which the other replied, “Her sheets blew and are ready.” Satisfied, Edith closes her eyes.
The tip of Edith’s nose feels cold, chilling her all over.  “If only, ohhh, if only there were 
someone to hug, if only someone would hug me, I would be so warm,” she thinks. Slowly 
she crosses her arms across her own bony torso, as if trying to hug herself. Her left hand 
falls on her stomach, casting a slight warmth there.  Edith tries to squeeze her belly. “Kiss 
me,” escapes from her lips in a whisper. “Kiss me, I could be so warm . . . .”
The scent of men’s cologne grows stronger. Edith feels soft lips press down warm upon 
her forehead, and her eyes widen. There, leaning over her, is a man. Very close and out of 
focus, but, for sure, a man. He reaches out and strokes her hair, and it feels to her like 
sunshine kissing each strand down to its root. Everything warms within her. Edith lookspleading up at him and can’t catch her breath. “I love you,” he says softly and she feels 
she must be glowing inside.
The man stands up, moves back. Edith follows him with her eyes.  A cigarette appears in 
his hands. He brings it to his lips, lighting it.  A golden halo appears for a second to 
reveal his face and Edith melts as she recognizes the visitor as her husband.  Her mouth 
drops open, while his curls into a familiar smile.  He fixes a steady gaze upon her, and exhales.

Mary Murray is a training professional in the pharmaceutical industry and writes as much as possible with a 2-year old at home!

The Intima © 2012, 2013