Although many of my non-fiction stories dwell on loss, there is always a lesson to be learned or an inspiration which somehow has evolved into compassion. In “The Lingerie Shop” (Spring 2025 Intima), I recall my adolescent years when I learned about my mother’s breast cancer. I was haunted by her embarrassment and loneliness. The emotions were part of my upbringing and I lived side by side with them. It must have changed me. I attended medical school and became a gynecologist, caring for many women with breast cancer. My loss had metamorphosed into strength and compassion. My loss made me a better doctor.
I met my husband, Kim, on a bone marrow transplant unit in a cosmic display of foreshadowing ten years before the happenings in my piece “Suffer the Little Beagles.” I was First Lieutenant Schuerman serving as a bone marrow transplant nurse. He was a Captain who had ventured up four floors to place his pathology report in a patient’s chart. Over the next decade we married, I became an attorney, we became civilians, I gave birth to our daughter, and we bought a big house. He told me about his deep bruises and enlarged spleen the night we lay exhausted on our bed after having received our household goods.
We carry them in our thoughts and in our prayers. It is the unspoken in the medical field. The hesitation you feel, to show at times, you hurt for them, with them, through them. The patient unaware that emotion is viable and present when treating, caring, or guiding steps to an end, no matter what that may be. Their physical bodies are present at the appointments, but their souls are searching elsewhere for meaning. The “why” of illness.
In “Mathematical Fix | ation” (Fall 2023 Intima), Laura Pinto describes the slow decline of her father’s ability to communicate. She tries her best to accompany him along his inward spiral of dementia, in which he has become completely fixated on arithmetic and logic, to the point that she calls him “Professor” rather than father. I am struck by the small joys she discovers in his lucid moments at the end of his life, such as when he calls her by name, only once, in the way he did when she was young. Putting myself in her shoes, I wonder if I would have the grace and openness of heart to delight in similar moments, as untethered as I imagine I might be in the face of impending loss.
Writing Late reminded me how impactful are the firsts of medical education; the first time one works with a cadaver, is coached through the delivery of a baby, or finds oneself running the code. Late draws from my internship on the GYN oncology service, entrusted to manage patients at the end of their lives.
At the other end of those decades, I now find myself thinking about the impact I have as an attending.
We see death so often as healthcare providers. I think often about the cognitive dissonance it brings to our lives: coming in such intimate proximity with it, discussing it in depth with people about themselves or their loved ones, and then returning and retreating to our own spaces and people and homes as if we can be safely tucked away from its harsh reality.
I wanted my note to sound grateful, but the words couldn’t mask my sorrow over my alienation from any familiar or valuable path. I had lived through transplantation of a stranger’s stem cells into me. The mandatory one year of donor anonymity had passed. Surely I must send thanks to the donor whose cells were keeping me alive. But three years swept me back and forth from the hospital, trying to survive infections and graft-vs-host attacks. I saw my husband’s head shake “no” to each next draft I attempted.
For many physicians, a clinical day is a river of tasks to be navigated….These moments come to us randomly, often without any advance warning.
Medical students Tessa Palisoc and Andrew Murdock comment on how the arts—in this instance painting and dance—allow the artist and the observer to “process death and find a nuanced perspective of loss.”
Though just in my late 30’s at the time, my doctor referred me to a cardiologist because of a family history of heart disease
Visiting the family cemeteries often, the stones then looked back with deeper meaning. Men dying in their 30’s and 40’s. Heart disease, death certificates read. Still, no big deal, I got a heads-up, and had options they never had the luxury of.
My poem “LDL” was written during an old house renovation and preparing for an anatomy and physiology exam (I was also patching together a non-traditional Bachelor’s degree). I found it peculiar that I had no real fear of death, only of being somewhere without my wife.