• Fiction
    • Field Notes
    • Non-Fiction
    • Poetry
    • Studio Art Spring 2025
    • Contributors Spring 2025
    • Academic
    • Audio and Videos
  • CROSSROADS BLOG
    • BOOK REVIEWS
    • Submit a Book Review
    • Submission Guidelines
    • Mission and Vision
    • The Editors
    • Advisory Board
    • Contact
    • Contributors
    • ARCHIVES UPDATE
    • Academic - A-L
    • Academic - M-Z
    • Fiction - A-L
    • Fiction - M-Z
    • Field Notes - A-L
    • Field Notes - M-Z
    • Multimedia
    • Multimedia Fall 2015
    • Multimedia Fall 2016
    • Non-fiction A-L
    • Non-Fiction M-Z
    • Poetry - A-F
    • Poetry G-L
    • Poetry - M-Z
    • Studio Art Spring 2023
    • Studio Art Fall 2022
    • Studio Art Spring 2022
    • Studio Art Spring 2021
    • Studio Art Fall 2020
    • Studio Art to 2013
    • Studio Art Spring 2015
    • Studio Art - Fall 2015
    • Studio Art Spring 2016
    • Studio Art Fall 2016
    • Studio Art Spring 2017
    • Studio Art Fall 2017
    • Studio Art + Multimedia Spring 2018
    • Studio Art Fall 2018
    • Studio Art Spring 2019
    • Studio Art -Fall 2019
    • Studio Art Spring 2020
    • Contributors
    • Contributors SPRING 2015
    • Contributors FALL 2015
    • Contributors Fall 2016
    • Contributors Fall 2017
    • Contributors Fall 2018
    • Contributors Fall 2019 Intima
    • Contributors Spring 2020 Intima
    • Contributors Fall 2020 Intima
    • THE ESSAY CONTEST
    • A Letter to My Younger Self by Candice Kim
    • Ambulance Stories | Benjamin Blue
    • Anguish
    • Body of Work | Anna Dovre
    • Beethoven's Symphony No. 5 | Mitali Chaudhary
    • Beholding Something Fine | Laura Johnsrude
    • Bypass by Benjamin Drum
    • Contents Have Shifted | Kristin Graziano
    • Curtis Prout, MD, Morale Doctor
    • Dr. Ortega and the Fajita Man | Richard B. Weinberg
    • Flo Owned a Beauty Shop... | Jose Bufill
    • The Healing Book | Dustin Grinnell Spring 2020
    • Mangoes | Rachel Prince
    • NOISE | Aparna Ragupathi
    • Not Today, Not Tonight | Donald Kollisch
    • Old Scrubs | Bruce Campbell
    • Physics and Big Lips | Malavika Eby
    • The Reluctant Ferryman | Colleen Cavanaugh
    • The Shape of the Shore | Rana Awdish
    • Something True | Sonny Fillmore
    • String of Pearls | Elizabeth Ryder
    • Things I Learned From Pole Dancing | Elise Mullan
    • Top Surgery | Angela Tang-Tan
    • Try to Turn a Cowboy Vegan | Towela King
    • Vicious by Tim Cunningham
    • Waiting Room | Shruti Koti
    • When the Screen Falls Away by Michael Rizzo
    • Wound Care | Craig Blinderman
    • Your First Pediatric Intubation | Rachel Kowalsky
Menu

Intima

Street Address
City, State, Zip
Phone Number
A Journal of Narrative Medicine

Your Custom Text Here

Intima

  • OUR CURRENT ISSUE
    • Fiction
    • Field Notes
    • Non-Fiction
    • Poetry
    • Studio Art Spring 2025
    • Contributors Spring 2025
    • Academic
    • Audio and Videos
  • CROSSROADS BLOG
  • BOOK REVIEWS
    • BOOK REVIEWS
    • Submit a Book Review
  • Submissions
    • Submission Guidelines
  • About
    • Mission and Vision
    • The Editors
    • Advisory Board
    • Contact
    • Contributors
  • Archives
    • ARCHIVES UPDATE
    • Academic - A-L
    • Academic - M-Z
    • Fiction - A-L
    • Fiction - M-Z
    • Field Notes - A-L
    • Field Notes - M-Z
    • Multimedia
    • Multimedia Fall 2015
    • Multimedia Fall 2016
    • Non-fiction A-L
    • Non-Fiction M-Z
    • Poetry - A-F
    • Poetry G-L
    • Poetry - M-Z
    • Studio Art Spring 2023
    • Studio Art Fall 2022
    • Studio Art Spring 2022
    • Studio Art Spring 2021
    • Studio Art Fall 2020
    • Studio Art to 2013
    • Studio Art Spring 2015
    • Studio Art - Fall 2015
    • Studio Art Spring 2016
    • Studio Art Fall 2016
    • Studio Art Spring 2017
    • Studio Art Fall 2017
    • Studio Art + Multimedia Spring 2018
    • Studio Art Fall 2018
    • Studio Art Spring 2019
    • Studio Art -Fall 2019
    • Studio Art Spring 2020
    • Contributors
    • Contributors SPRING 2015
    • Contributors FALL 2015
    • Contributors Fall 2016
    • Contributors Fall 2017
    • Contributors Fall 2018
    • Contributors Fall 2019 Intima
    • Contributors Spring 2020 Intima
    • Contributors Fall 2020 Intima
    • THE ESSAY CONTEST
  • ESSAYS
    • A Letter to My Younger Self by Candice Kim
    • Ambulance Stories | Benjamin Blue
    • Anguish
    • Body of Work | Anna Dovre
    • Beethoven's Symphony No. 5 | Mitali Chaudhary
    • Beholding Something Fine | Laura Johnsrude
    • Bypass by Benjamin Drum
    • Contents Have Shifted | Kristin Graziano
    • Curtis Prout, MD, Morale Doctor
    • Dr. Ortega and the Fajita Man | Richard B. Weinberg
    • Flo Owned a Beauty Shop... | Jose Bufill
    • The Healing Book | Dustin Grinnell Spring 2020
    • Mangoes | Rachel Prince
    • NOISE | Aparna Ragupathi
    • Not Today, Not Tonight | Donald Kollisch
    • Old Scrubs | Bruce Campbell
    • Physics and Big Lips | Malavika Eby
    • The Reluctant Ferryman | Colleen Cavanaugh
    • The Shape of the Shore | Rana Awdish
    • Something True | Sonny Fillmore
    • String of Pearls | Elizabeth Ryder
    • Things I Learned From Pole Dancing | Elise Mullan
    • Top Surgery | Angela Tang-Tan
    • Try to Turn a Cowboy Vegan | Towela King
    • Vicious by Tim Cunningham
    • Waiting Room | Shruti Koti
    • When the Screen Falls Away by Michael Rizzo
    • Wound Care | Craig Blinderman
    • Your First Pediatric Intubation | Rachel Kowalsky

We Are Not Amazons: A Reflection by Medical Illustrator Mesa Schumacher

December 20, 2024 Intima: A Journal of Narrative Medicine

In my professional role as a medical illustrator, I'm often drawn to a good metaphor. As a patient, the allure of metaphor can be dangerous.

Mesa Schumacher is an award-winning scientific and medical illustrator with an MFA from Johns Hopkins University School of Medicine. Learn more about her work on X and Instagram @mesabree and mesaschumacher.com

In her essay “Amazonia” (Spring 2022 Intima), Dena Brownstein writes about her transformative experience as a physician-turned-cancer patient. "I was an Amazon, but I did not feel like a warrior," she reflects, referencing the Ancient Greek female warriors whom a historian mistakenly posited gained the name a-mazos from a practice of amputating their breasts.

Brownstein rejects the notion that illness, especially cancer, can be literarized as a hero's journey. Instead, she struggles with fatigue and disconnection, focuses on retaining routine, and gives in to anger and frustration over the trials of obtaining and receiving care.

Patients are not characters, and the plot arcs in medicine are not always redemptive. I examine a similar metaphoric trap in my studio art comic “Illustrating BRCA1” (Fall 2024 Intima). Doctors often embody the active role in the narrative of care—the doer, the leader—while patients, consenting or not, take on the passive role of the done-to.

As a BRCA1 patient, I’ve leaned on my professional identity to soften the powerlessness of choosing between burdensome screening, living with high cancer risk, or undergoing prophylactic amputations. By responding visually to my opponent, I attempt to reclaim control when it feels absent.

Brownstein describes similar refuge in her professional identity, using her doctor identity to distance herself from the role of patient, even as she booked appointments and demanded to read her own test results, perfectly described as she writes "I changed out of the flimsy paper exam gown and back into my identity as a doctor."

So far, my narrative arc is better than many. If I do someday develop cancer, I know it won’t be a metaphor for my morality, actions, or strength, though I know even after purposeful rejection of these ideas, I may be tempted to resort to over-simplified narrative.

Reading Brownstein’s essay, I found meaning in the smaller lessons she identifies: accepting kindness without reciprocity, developing a deeper understanding of the very different perspectives of doctor and patient, a gap that is not always bridgeable.

If illness offers any valuable lesson, it’s this: empathy for others' experiences and resistance to distill people into reductive roles. We are not just doctors, artists, or patients—these are only roles we play.


Mesa Schumacher is an award-winning scientific and medical illustrator with an MFA from Johns Hopkins University School of Medicine. Her illustration and infographic work has appeared in National Geographic, Scientific American, zoos, aquariums, museums, science games and academic publications. She is working on a graphic novel about life with a mutant BRCA1 "breast cancer" gene. Portions of this comic are excerpts from a graphic novel in progress about her life with a mutant BRCA1 gene. Learn more about her work on X and Instagram @mesabree and mesaschumacher.com

In cancer, breast cancer, graphic medicine, illness narratives, narrative medicine Tags BRCA1, graphic medicine, doctors, patients, breast cancer
← Rituals of Care: How We All Possess More Agency in the World Than We Think: A reflection by doctor Gaetan SgroGiving Up Metaphors: A reflection about how we talk about illness by poet physician Ronald Lands →

Intima: A Journal of Narrative Medicine
Copyright ©2025
ISSN 2766-628X