I work at a community clinic with patients who are homeless–there is the stigma of homelessness, and then there is the stigma of looking homeless.
Some patients of mine do not–or do not yet– appear unhoused. It is usually those who still have family that support them, who live in a car, who hold a job—running food for Doordash, picking for Amazon, sitting security—or who have not been homeless for so very long. But many of my patients do appear frankly homeless: a shuffling gait, a blanket draped around their shoulders, belongings pushed in a stroller, blackened teeth, leg wounds.
Fear and Compassion: At the Heart of Panic Attacks by Lisa H.D. Napolitan
© How a Heart Grows. Susan Baller-Shepard. Fall 2018 Intima
Fiction and visual art are a natural pairing, one digging deep through words, the other a profound visual exploration. Both genres allow ways to explore the issue of mental health.
Read moreDementia and Alzheimer’s Disease: When the Outside Looks Different From What’s Happening Inside by Kimberly Mitchell
© The War Outside. From “The Impact of War on Mental Health” series. Claire Lawrence Spring 2022 Intima
One of my most enduring memories of volunteering is of helping with a beauty club for patients with advanced Alzheimer’s Disease. Each week I would be regaled with stories of young women visiting their mothers and planning fun outings with their girlfriends. While I applied makeup and painted fingernails, the smiles and facial expressions were those of young women anticipating a good time.
On the outside these ladies were quite different.
Endurance and Gratitude: A reflection on finding joy in difficult moments by Laura Carmen Arena
Both Karen George’s poem, and my “Triptych:Oncology Fish,” share an expression of admiration for the resplendent inner strength in our loved ones, emanating despite the foreboding shadows of illness, suffering and loss. The emotions floating around our lived spaces as our loved ones endure and battle disease in the face of difficult circumstances move in many directions including grieving, reflecting, hoping, enduring and celebrating, colors that shift and radiate with the heroically hopeful, illuminating presence of gratitude and love.
Read moreOn Subtraction: Understanding What's Lost and Gained in Clinical Encounters by Abby Wheeler
I recognized right away a kinship with Bessie Liu’s “Variations on the Negative Space Before Healing” (Fall 2023) and its use of subtraction to create new meaning; The poem by Liu, a third-year medical student at Johns Hopkins School of Medicine. very much feels like a sister to my poem, At the Doctor’s Office, I Check, Yes, I Have Experienced the Following: Sudden Weight Loss (Fall 2023).
Read moreOn "Feeling Blue" and Self Care: A reflection by neonatologist-poet Elizabeth Osmond
© Feeling Blue Amanda Hage Spring 2022 Intima
It is a challenging time to practice medicine. We are emerging from a global pandemic that is casting a long shadow. This has mingled with austerity for public service funding and a cost-of-living crisis. Members of many healthcare professions have been on strike.
Read moreSeeing Through
A retired nurse remarks on what she has witnessed in the hospital setting via studio art and poetry published in this very journal.
Read moreA Transplant Patient's Reflection on Living While Dying
An artist and organ transplant recipient considers the isolation of her own illness experience and further explores these issues in her graphic medicine comic, published in this very journal.
Read moreBeing More Than Just a White Coat
A visual artist explores the trusting relationship she shares with her psychiatrist—and how that fiduciary manifests itself through her photodrawings and studio art.
Read moreI Am Moments / I Am Nature
Through collage art and poetry, a pathologist comes to understand that our anatomical selves are made up of the same building blocks that comprise all life on earth.
Read moreDesensitization to the Face of Death: A reflection by poet and medical student Catherine Read
A medical student examines the desensitization that imbues the study and practice of medicine—and advocates against it.
Read moreThe Tyranny of "Normal" in healthcare and healing by Dr. Kate Otto Chebly
A physician grapples with the tyranny of “normalcy” and how its unbending dictates can stifle the clinical encounter as well as patient care.
Read moreWhen Visuals Become Verbal: The Art of Communicating Emotional States of Mind by Barbara West
© Blue Pajama Series - Crowd by Rachel Wyman Fall 2021 Intima
A writer and hospice nurse explores the parallels between one of her essays published in Intima and a studio art series previously published in this journal.
Read moreOn Imagined Boundaries: A reflection on "the body as a narrative instrument" by Tony Errichetti
A medical educator reflects on studio art recently published in the Intima and examines the boundaries—real or imagined?—often constructed between mind and body.
Read moreGetting it Right, Even When it Feels Wrong: A Reflection by poet Ceren Ege
In his video “Inside Anxiety and Depression,” William Doan’s words “writing is drawing” were a reminder of my existence as a poet and artist, and how the latter is an identity I felt uncomfortable with for a long time. I squirmed at the creation of “art” out of another’s suffering, even though my father’s illness felt like the only thing worth writing about. Now I sit with a different question: whether anyone’s suffering is entirely separate. I think owning suffering defeats the very aim of why we move it to articulation—to release it, to divide the burden of it, and to comprehend it with others.
Read moreConnecting with the World of Our Patients: A Reflection by Savita Rani
In her poem “Internet Dating for Centenarians” (Intima, Fall 2021), Sarah Smith paints an animated picture of her cheeky and cheerful elderly patient. Smith, a board-certified family physician and author of The Doctor Will Be Late, describes her dilemma about which topic to discuss with her patient—lipids or love.
Read moreThe Body in Bloom: Thoughts on Two Artworks by Simona Carini
(c) Floral Anatomy by Kristen Kelly. FALL 2018 Intima
As a writer, to give life to a story, I reach for my pen and notebook, craft words into images, lines, sentences. I find it inspiring to explore how other artists use their preferred media to tell stories. In my poem “Young Woman Listens to Cyndi Lauper During Dialysis” (Spring 2021 Intima), I open a window into an experience of eating disorder. In contrast, two artists in the Fall 2018 Intima show us how our body can be seen as a garden of elegant shapes and rich colors.
Read moreAuscultating Meaning: Reflections on the Heart of Medicine by Marc Perlman
© Gordian Knot by Elisabeth Preston-Hsu Spring 2020 Intima A Journal of Narrative Medicine
From diaphragm to earpiece, a stethoscope dutifully chaperones a patient’s internal orchestra to a clinician’s ears. This facile acoustic communication not only allows a provider to screen for a wide host of cardiovascular, pulmonary and gastrointestinal anomalies, but it also may be a conduit for moral reflection.
Read moreHealing and Trauma: Recontextualizing Suffering by Sundara Raj Sreenath
Suffering due to trauma or illness often brings with it feelings of disconnect from the world as we knew it when we were healthy. The healthcare provider-healer, therefore, has an important opportunity to intervene in this unique setting and respond to the patient’s cry for help by offering a personal, humanistic touch and guiding them through trauma in addition to clinical management.
Read moreReimagining Chaos in Art and Poetry by Selene Frost
Anatomy of the Vogue by Meagan Wu. Fall 2017 Intima: A Journal of Narrative Medicine
I’ve long been fascinated by the way structure informs poetics and the practice (and in this case—reception of medical care). In my piece “Field Notes on Form,” I extol the ways in which linguistic structure has the remarkable ability to organize our thoughts, increase our signal within the noise, and etherealize the mundane. In “Post NICU Villanelle,” Joyelle McSweeney uses language not only to remediate the chaos of loss and of leaving but also to deconstruct both the poetic form and herself.
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