Some voices outlast the people who spoke them. In his Crossroads blog, “The Voice that Lingers,” (June 19, 2026 Intima) Kenneth Iserson, a professor emeritus of emergency medicine, tells it as a physician: the dead mentor keeps speaking in a student's stethoscope, in a resident's patience at two in the morning, even in the margin of a machine's report that has learned to wait before it concludes. The voice refuses to be deleted — not because anyone saved it, but because it had gone in too deep, beneath the skin, beneath the name, where not even death goes looking.
Read moreA Bunny, Beauty and Remembering to Live: A reflection by narrative medicine practitioner Alexis Rehrmann
© Memento Mori Danica Snyder Spring 2025 Intima
The bunny drew me in first. She is a well-loved stuffie, fur lightly matted even sketched in pencil, form slightly squashed from years of use.
Danica Snyder’s “Memento Mori, Memento Vivere” (Spring 2025 Intima) is in vibrant conversation with my essay “Maybe It’s Beautiful,” which I am pleased to have published here a year later in Spring-Summer 2026. What I love about Snyder’s work is her riotous use of color and pattern and the unresolved ambiguities that lie underneath.

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